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Thor Polysonic Synthesizer Micro Tutorial Thor sounds like no synthesizer you’ve ever heard before – and every single one of them. In this micro tutorial Propellerhead takes a look at how to maneuver this unstoppable force of synthesis and give you an overview of its main features.

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Thor Polysonic Synthesizer Vst
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Thor Polysonic Synthesizer

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Published: 2016-10-12

Thor in Reason is a polysonic synthesizer. This synthesizer is very powerful and has a lot to offer. Here are a couple of features you can find in Thor:

- 3 oscillator slots
- 6 different oscillator types
- 3 different filter slots
- 4 different filter types
- build in routing scheme
- 4 different envelopes
- 2 LFOs
- build in stereo delay and chorus
- a programmer for routing
- a sequencer

1 The different Oscillator types

Thor in Reason has 6 different oscillator types: Analogue, Wave table, Phase Modulation, Fm Pair, Multi Oscillator (one of my favorites at this point) and the Noise. Each oscillator is based on a certain algorithm to create sound. Lets go through them one by one.

1.1 The Analogue Oscillator

The analogue oscillator comes with 4 different settings: Saw, Square, Triangle and Sinus. Which are analogue sounds (they have been present inside the Subtractor and the Malstrom as well).

Lets start presenting a couple of clean based analogue sounds using Thor.

RNS Example: Analogue Saw
RNS Example: Analogue Square
RNS Example: Analogue Triangle
RNS Example: Analogue Sine

Most analogue sounds are pretty straight forward in this case, since they sound as a clean analogue sound. However, there is one big difference using the analogue type called square. The square wave form (the second option inside the analogue oscillator) comes with a setting which is called PW (Pulse Width).

1.1.1 The PW setting

By setting the analogue type set on square wave in Thor and the PW knob set on 64 (that is in the middle), the wave form will sound like a harmonic square wave (as you will recognize it from the Subtractor either the Malstrom). However, by adjusting the PW setting, the shape of the square is being shifted, to either the left either the right (depending on which direction the PW is being set too).

RNS Example: Using the PW Setting at 64

RNS Example: the PW Setting set higher

There is however one nice sound effect that you can create with using 2 different square waves using the PW knob but have them on alternate settings (eg, the PW of the first saw is set on 24, and the PW of the second saw is set on eg 50).

Side note
To use the second oscillator click on the number 2 knob next to where it says “filter 1”, this will trigger that the second oscillator is being using in the final mix. I will discuss these features inside of chapter 2, the routing

RNS Example: Using 2 different PW settings

What will happen with this last example is that the 2 square sounds are being blended together using its own unique sound setup (a different square form). Which can create really full square sounds to begin with. There is however another trick to this that you can use to make it sound really dynamic in a way. I will just so you an example on how to do this, but will explain this feature inside of chapter 5 - the programmer.

RNS Example: 2 different PW connected to an LFO

What you will notice with this example, it uses an LFO to change the PW, which will result into a dynamic square wave. And thus creating another unique sound for each individual note while the song commences.

1.2 The Wave table Oscillator

The wave table oscillator in Thor is basically what it says, it is an oscillator based on a couple of different wave tables. Which means, each sound is a recorded sample based on different wave forms. When you insert a wave table oscillator inside slot one, you will notice it will come with a couple of different prefixed samples from basic analogue, harmonics, mixed waves to piano's and vocals.

1.2.1. Multiple samples inside each instrument

There is a knob inside the wave table oscillator which is called position. With this, you can slide through all the different samples in each different wave table. You can can of compare it with having the Malstrom and using the Index for instance. However, when you slightly adjust the knob of the position, the instrument itself will gradually change. This is done by a setting which is called X-Fade which is default set on.

By turning X-Fade off, and then slightly go through all the different position. You will notice that the samples themselves will change very drastic all of a sudden. Jumping from one sample to another.

The next example will show this using the automation feature. It will sound odd in a way, but this is just to demonstrate what I mean

RNS Example: Changing the Waveform Position

So, in a way, there are multiple samples in each instrument of the wave table oscillator. Where does the X-fade fit into this? X-Fade, when turned off will make the position slide gently and blends the 2 different samples that are next to each other in the wave table together. Then turned off and changing the position, the waveform will jump for one sample to another.

Lets do the same example, but then with X-fade on.
RNS Example: Changing the Waveform Position using X-Fade
MP3 Example:

There, that should sound much better. With that being said, the wav table can shape your sounds really clean in a way. I could write books while going through all the different wave table instruments. But I will leave that part up to you.

1.3 The Phase modulation oscillator

Thor in Reason has a Phase modulation oscillator. The phase modulation is a different oscillator type then all the other oscillators that we know from the Reason rack. The easiest way to describe it: the phase modulator uses 2 different wave forms and places them next to eachother creating a new sound.

The PM parameter will change the way this behaviour is being triggered. The easiest way to demonstrate this is using for instance the saw wave (which we also have in the analogue oscillator). Using 2 saw waves next to eachother, setting the PM (modulation) on maximum will generate a clean saw wave form again. Because in this setup, there is not modulation going on and the 2 saw waves are played in a sequence.

With reducing the PM knob (the modulation knob), the phase modulation will start to act like a filter setting, which you could for instance compare with using a low pass filter either a bandpass filter. However, what will happen is that, it will slightly change the waveform and still plays the waveform in a sequence, but with having the complete waveform being shaped differenly again.

Sounds complexed in a way. The only way to actually make it visual is using 2 different sound samples and load that inside of a audio sample program so you can visually see what the effect is that takes place.

One thing a phase modulation is good at is using them for basslines:

RNS Example: Phase Modulation Bassline 1
RNS Example: Phase Modulation Bassline 2
RNS Example: Phase Modulation Bassline 3
RNS Example: Phase Modulation Bassline 4
RNS Example: Phase Modulation Bassline 5

They can also sound pretty nice for melodies
RNS

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